The Customer Who Only Ever Came In During the Thunderstorms
A tall man in a gray coat only ever came into my bookshop during thunderstorms, always to the poetry corner. The day I moved the Whitman, he noticed -- and he was not happy.
A tall man in a gray coat only ever came into my bookshop during thunderstorms, always to the poetry corner. The day I moved the Whitman, he noticed -- and he was not happy.
The drums came first. Then the bass. Then a rumor about the drummer's father that made the whole street stop complaining about the noise and start complaining about something much worse.
A twenty-year-old summer intern built a dashboard that made my whole team look redundant. Three weeks later four of us were gone and he had a full-time offer and my parking spot.
He was four. He said "occupied", which is not a four-year-old word, and he said it the way a hotel receptionist says it.
A cart of covered dishes arrived at my hotel door at 4 a.m. that I never ordered. The front desk had no record of it. Neither did the kitchen, which had been closed for hours.
Our Airbnb's bedroom smoke detector had a tiny black dot I couldn't stop noticing. On the third night I climbed up with my phone torch. A lens. Pointed at the bed. Recording to an SD card.
The venue double-booked our reception with a retirement gala, proposed a folding divider as the solution — and by evening's end, two parties had annexed each other completely.
My grandmother and I could hold whole conversations without speaking much. One rainy afternoon it went further than either of us had ever admitted, and it left me quietly changed.
Between number 14 and number 16 there is a garage. In her drawing there is a house, with a red door, and a woman in the window.
It lasted six weeks. Their mother thought it was a game. On the last night, one of them cried and said, "I want to go back."
Miller Lane is a dead-end dirt track off the county road with one house at the end, abandoned since before I was born. The night my headlights swept its windows, every one of them was lit, and a light was coming down the lane to meet me.
I collect old typewriters. One, from a house-clearance, types a line of its own after I stop — always continuing my sentence, always in a voice that isn't mine, always about a woman waiting for a letter.
Our family clock has stopped four times in my life. Each time, someone died within a day. I found the maker's note tucked behind the face and now I understand less than before.
I fell through a frozen pond and was under for forty minutes. There was a tunnel, a light, a full reckoning of my life, and then, against every medical odd, a warm hand pulling me back.
It came each afternoon and tapped the glass by her deathbed with its beak, patient and unhurried. On the day she died it tapped once and flew off, and never returned.
I never leave the hall light on. But when the paralysis takes me at 3:33 exactly, it is always burning, throwing a long shadow across my floor that has no one to cast it.
A field, a gate, and a horse that will not look at you. She described it before I ever said a word about it.
The woman who lived in our rental before us kept a key. She let herself in for her mail while we were out, then while we were home and asleep. The landlord shrugged. We found she had never actually moved out of the attic.
An heirloom doll sits in my mother's hall. At every family gathering it ends up facing one person. We laughed about it for years. We've stopped, because the doll has never once been wrong.
For eleven years the man in the dream carried an empty bucket. In March, the bucket was full. Nine days later my brother had his accident.